Almost Famous

A whimsical, semi-autobiographical take on early 70s rock 'n' roll by Jerry Maguire director Cameron Crowe. Fifteen year-old aspiring rock journalist William Miller (Patrick Fugit, earnest) is hired by Rolling Stone magazine to write a piece on emergent new band Stillwater. Travelling on the road with the group, he falls in love with "Band-Aid" (distinguished from groupies by their love of the music rather than the musicians) Penny Lane (Kate Hudson), who is carrying on a one-way affair with lead guitarist Russell (Billy Crudup).

As far as dewy-eyed nostalgia flicks go, this is very good indeed. Primarily a coming-of-age story, William's gradual disenchantment of his idols, their petty in-fighting and, in particular, Russell's poor treatment of Penny, provides a nifty mirror into a world that was, as William's mentor, rock journalist Lester Bangs (Philip Seymour Hoffman) puts it "dying out". Crowe's ear for good music serves him well here too, as evidenced in a rousing group rendition of Elton John's Tiny Dancer. Hudson's playful, enigmatic performance as Penny Lane is the jewel in the film's crown but it's rounded out by some impressive ensemble performances from Hoffman, Frances McDormand (as William's concerned mother), Fairuza Balk and Zooey Deschanel.

Miss Pettigrew Lives For A Day

Delightful screwball comedy based on Winifred Watson's 1938 novel. Set right before the onset of World War II, Frances McDormand plays Miss Pettigrew, a governess who's constantly being fired on account of her prim, judgemental behavious towards her employers. In order to keep off the streets, Miss P. masquerades as a social secretary to a young American actress, Delysia Lafosse (Amy Adams). Delysia, a flighty thing, has three men on the go at once: Nick, an arrogant nightclub owner, Phil, who she's hoping will cast her as the lead in his new play, and Michael, who loves Delysia for who she is not who she pretends to be.

During the course of a day, Miss Pettigrew helps Delysia understand the important of true love, meanwhile beginning her own tentative romance with lingerie designer Joe Blomfeld (Ciaran Hinds). Plenty of silly, fluffy mishaps, break-ups and make-ups follow. It's silly and slight, but anchored by the performances of its leading actresses. Adams is typically enchanting, whilst Frances McDormand's quiet, sad reflections on the last war add a more serious counterpoint to all the frippery. No classic perhaps, but good frilly fun all the same.